Developing a pressure sensitive
application tape or premask for large format vinyl graphics printed with UV inks is one of the
most challenging applications for tape manufacturers. What makes it challenging
is that UV inks are 100% solids. That means is that 100% of what you print on
the substrate stays on the substrate.
This heavy deposit of UV ink
creates a texture on the printed surface of the graphic whether it is screen printed or
digitally printed. You can actually feel the rough texture on some prints as
you run your finger over the surface. To adhere to this rough surface, the premask
adhesive must flow into the valleys of the texture. If it doesn’t, the tape
will pucker and in some cases it can develop into a tunnel between the premask
and the vinyl graphics.
The two key factors in
developing a premask that will adhere to the surface of the graphics printed
with UV inks are coat weight and the hand of the paper. You need a heavy coat
weight of adhesive to flow into the textured surface of the print. With the
heavier coat weight, you will get greater better adhesive flow out and better
suction power. That's a reason why adhesion to steel is higher for RTape’s
4760, 4760RLA and 4761RLA compared to a similar product such as
4750RLA. The primary difference between 4750RLA and 4760RLA is adhesive coat
weight.
Hand
of the Paper
The second key factor is the
hand of the paper. The paper facestock must be supple or malleable so that it
will conform to the texture of the print.
This was one major reason why 4760RLA does not pucker on a UV print,
where competitive products failed.
What can significantly
change the hand of the paper is the type of primer used. When I was working for
another application tape company, we discovered in side by side tests that the
acrylic primer that we used stiffened the sheet. If you dried that particular
primer on a glass surface, it would become as stiff and as brittle as a piece
of acrylic. The primer that RTape developed was much more flexible or elastic
and allowed for the paper facestock to
better conform to the textured surface of the print.
Other Considerations
In developing an application
tape or premask for large format graphics, another consideration is how easily the
tape removes following the application of the graphic to the substrate. The tape
must be tacky enough to transfer the vinyl graphics from the release liner, but
not be so tacky that it will pull the applied graphic from the substrate. This is
why application tape and premasks typically utilize a medium or medium high
tack adhesive.
Another consideration in
developing a premask for large format is the weight of the paper. In some
cases, a standard weight paper application tape will work as a premask for
printed decals…sometimes but, not always.
Standard paper application tapes are formulated for sign shop
applications, not for screen printing.
Paper Weight
Premasks
developed for screen printing generally utilize a heavier, more stable paper
facemask with a high concentration of latex saturant. Heavyweight premium
grade application tape can make your job easier and minimize costly and time-consuming
mishaps. Heavyweight premium grade application tapes are about
1 mil thicker than the standard grade application tapes that are generally used
in the sign industry. The added thickness makes them easier to
handle and apply to vinyl graphics. Because the paper is more stable, fewer
wrinkles and bubbles are created after the tape is laminated to the
graphics. That’s a good thing. Fewer wrinkles and bubbles in the
tape translate into fewer wrinkles and bubbles in the applied graphics.
Heavyweight paper also helps
the installation process. That extra mil of thickness a gives more body to
flimsier films and results in smoother applied vinyl, with fewer wrinkles
created in the squeegee process. When installing large format graphics
outdoors, a premium application tape can be a lifesaver. During strong winds,
heavier transfer tapes are less likely to tear.
Premium grade application tape can make your job easier and minimize costly and time-consuming mishaps. |
When the job is done,
heavyweight application tapes remove in one piece. Thin standard grade paper
tapes tear more easily and often remove in little bits and pieces. When this
happens, installation time can needlessly drag on.
Liner Adhesion
In developing a premask for
large format graphics which are cut to shape, liner adhesion is critical. A premask used for large format graphics with an exposed release liner must provide good release liner adhesion.
The development of the RLA® adhesive additive reduced the problem of tunneling. |
Liner
adhesion is important to the graphics provider and the installer. If the
graphics are rolled and shipped and the premask tunnels on the liner, the
tunnel generally travels over the vinyl film.
Then, when installer receives his graphics and tries to re-adhere the
premask, the paper tape invariably wrinkles. If you get a wrinkle in your
premask, I can almost guarantee that you will get a wrinkle in the applied
graphics.
RTape has developed premasks with Release Liner Adhesion addatives. RTape’s 4760RLA and 4775RLA are designed to adhere well to smooth release liners. Graphics with air egress
release liners can be particularly challenging. One reason is that there are
many different variations of these liners.
Another hurdle in developing a tape
for air egress release liners is that the chemistry of their silicone coatings
is quite different than the chemistry of a standard liner. The release values
of air egress liners are also much lower than standard liners. Release value is
a measurement of how much force is required to remove a facestock from the
liner.
For vinyl graphics with air egress release liners, RTape recommends use of it 4761RLA, which features a much higher concentration of RLA® additive.
There is good reason that
air egress liners have lower release values.
In manufacturing vinyls for the sign, screen and digital markets, the
release liner, not the vinyl film, is coated with liquid adhesive. After the
adhesive is cured, it is laminated to the vinyl facestock. This process is called transfer coating,
because the adhesive transfer from the liner to the film in the lamination
process. (By comparison, coating adhesive directly onto a facestock, as is done
in manufacturing application tapes and premasks, is called direct coating.)
In coating the air egress
release liner, the liquid adhesive readily flows into the nooks and crannies of
the textured surface. The liquid
adhesive coating actually has more surface area to grab onto. If the air egress liner used the same
silicone chemistry with a higher release value that a standard vinyl uses,
removing the liner from the film would be very difficult. From an installer’s perspective, a film with
a low release value is highly desirable, because when you are on a scaffold or
a ladder, you do not want to struggle to separate the film from the liner.
Saturant
Because heavyweight papers
have more saturant, the tape absorbs less moisture, even when humidity is high.
Standard weight paper tapes have a lower saturant concentration. When the
humidity is high, the paper absorbs moisture and the paper grows. The result of paper growth after the tape has been
applied can be puckering of the premask on the print and/or the developments of
tunnels over the print.
Conclusion
RTape has developed several premium grade products for screen print and
digital print applications. These include:
4760 - Premask for UV Inks and Clear Coats
4760RLA® - Premask/Prespacing Tape for Printed or Unprinted Graphics
4761RLA® - Prespacing Tape for Air Egress Vinyls
Premask/Prespacing Tape Selection Guide:
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About Jim Hingst: After fourteen years as Business Development Manager at RTape, Jim Hingst retired. He was involved in many facets of the company’s business, including marketing, sales, product development and technical service.
© 2016 Jim Hingst
Hingst began his career 42 years ago in the graphic arts field creating and producing advertising and promotional materials for a large test equipment manufacturer. Working for offset printers, large format screen printers, vinyl film manufacturers, and application tape companies, his experience included estimating, production planning, purchasing and production art, as well as sales and marketing. In his capacity as a salesman, Hingst was recognized with numerous sales achievement awards.
Drawing on his experience in production and as graphics installation subcontractor, Hingst provided the industry with practical advice, publishing more than 150 articles for publications, such as Signs Canada, SignCraft, Signs of the Times, Screen Printing, Sign and Digital Graphics and Sign Builder Illustrated. He also posted more than 325 stories on his blog (hingstssignpost.blogspot.com). In 2007 Hingst’s book, Vinyl Sign Techniques, was published.
© 2016 Jim Hingst
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