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Wednesday, July 27, 2016

Painting with a Limited Palette

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                                                   By Jim Hingst @hingst_jim


Many painters paint with what is called a limited palette, which consists of a small selection of primary colors. Vincent Van Gogh proclaimed that all he needed was red, blue, yellow, white and black. This really is a limited palette. Some feel that you don’t even need black. Using these basic colors, Van Gogh believed that he could mix more than 70 colors, which was all that he needed. 

The modern “expanded” limited palette is typically comprised of a few additional colors. This expanded version includes warmer and cooler versions of the primaries. One such limited palette is listed below.

Cadmium Red
Permanent Alizarin Crimson
Ultramarine Blue
Phthalo Blue
Cadmium Yellow
Cadmium Yellow Light
Titanium White
Ivory Black

Having a color wheel handy helps in mixing additional colors. Think of the traditional color wheel as the spectrum of colors arranged in circle. The value of a color wheel is as tool to aid you in mixing of colors. 

The three primary colors on wheel are red, yellow and blue.  By mixing two adjacent colors on the wheel, you create a secondarycolor. Mixing red and yellow produces orange. Yellow and blue creates green. And, red and blue yields purple. By combining a primary and an adjacent secondary color on the color wheel, you produce a tertiary color. For example, mixing red and orange produces red orange. In naming the tertiary colors, the primary color is always given first, and then the secondary color.

The theory involved in mixing colors is very simple. The reality of color mixing can be a little trickier. Here’s why. A rose is a rose is a rose. But not all blues look the same. And neither do reds and yellows. That’s why when you mix colors, you can get some funky results.



Getting the exact color that you want will take a little time and patience. Your reward is that you will gain a better knowledge of color basics including color saturation, hue and color temperature.






About Jim Hingst: After fourteen years as Business Development Manager at RTape, Jim Hingst retired. He was involved in many facets of the company’s business, including marketing, sales, product development and technical service.

Hingst began his career 42 years ago in the graphic arts field creating and producing advertising and promotional materials for a large test equipment manufacturer.  Working for offset printers, large format screen printers, vinyl film manufacturers, and application tape companies, his experience included estimating, production planning, purchasing and production art, as well as sales and marketing. In his capacity as a salesman, Hingst was recognized with numerous sales achievement awards.

Drawing on his experience in production and as graphics installation subcontractor, Hingst provided the industry with practical advice, publishing more than 150 articles for  publications, such as  Signs Canada, SignCraft,  Signs of the Times, Screen Printing, Sign and Digital Graphics and  Sign Builder Illustrated. He also posted more than 400 stories on his blog (hingstssignpost.blogspot.com). In 2007 Hingst’s book, Vinyl Sign Techniques, was published.  Vinyl Sign Techniques is available at sign supply distributors and at Amazon. 



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