By Jim Hingst
The chemicals that color our world, whether we are painting or digitally printing or decorating fabric, fall into two categories: dyes and pigments. Both types of colorants add color to materials ranging from wood, paper, textiles, glass, plastic, ceramic glazes and even concrete. Each type of colorant, however, is very different with respect to chemical composition, solubility, durability and color range.
In a nutshell, here are the key differences between dyes and pigments.
Dyes are soluble; pigments are not. It’s the difference between a solution and
a suspension (mixture). What’s more, dyes have an
affinity to the substrate that is being colored; pigments do not. Instead,
pigments require a resin or binder in order for the paint or ink to adhere to
the substrate. That’s it…almost! Of course, there are other differences.
Organic and Inorganic Chemical Composition
Regarding chemical composition, the first major difference is that dyes
are usually organic compounds. What that means is that this material contains carbon.
Many centuries ago pigments were primarily inorganic compounds, and did not contain
carbon. Inorganic inks include cadmiums, metallic, oxides and opaque whites.
Some pigments are comprised of heavy metals, which are toxic. Advances in paint
and ink formulations have changed the chemistry of coatings. Today, pigments
can be either inorganic or organic.
Solubility
Solubility is another distinguishing property. Dyes dissolve in a
solution and become an integral part of that solution, which cannot be filtered
out. Some dyes dissolve in water, while
others dissolve in alcohol or an oil based solvent. The ingredients of the dye solution
chemically combine. Pigments, on the other hand, do not dissolve in a solvent
and are classified as insoluble. Mixed
with liquid ingredients, the solid particles never join chemically with these
other substances.
Pigments are powdered colorants which in most cases are not soluble.
When a pigment powder is combined with resin and solvent, the pigments remain
as solid particles suspended in the liquid ingredients. Over time, the pigment
particles can settle in a paint can or ink reservoir.
That’s why, if you are a painter, always stir your paint well before
painting. All of the components must be dispersed uniformly in the mixture for
optimal performance. Dispersion can affect how the paint wets out on the
substrate and anchors to it. It can also affect the brilliance of the color and
the durability of the coating.
Adhesion to the Substrate
Dyes bond or adhere to substrates in ways different from a pigment coating. Some dyes bond through a chemical reaction. Some dyes adhere to materials through absorption. Other dyes form an electrostatic bond. Pigments, on the other hand, require a resin or binder to adhere to the substrate.
Durability of Colorants
These larger molecules of solid powders help provide better durability than dyes, which are comprised of much smaller molecules. Used in paints and digital printing inks, pigments provide better
UV resistance, better chemical resistance and are more stable when exposed to elevated temperatures than
dyes are.
Synthetic Colorants
Our caveman ancestors produced dyes from plant materials, such as
berries. Natural dyes were used for thousands of years, up until the time synthetic dyes
were developed. With the creation of synthesized dyes in the 1850s, natural dyes were nearly completely replaced by 1900. The synthesized products were not only less
expensive to produce but the colors were also more durable and vibrant.
Most of the earliest pigments were ground up minerals. These were natural materials. However, pigments can be synthesized. In fact, one of the earliest artificial pigments was Egyptian Blue (CaCuSi4O10), formulated about 5000 years ago by baking copper containing minerals and sand. During the Industrial Revolution, the artist’s palette expanded with the addition of many new synthesized pigments.
Conclusion
Overall dyes have historically exhibited more vivid colors and are
significantly less expensive than pigmented colorants. However, pigmented inks in the digital print
world have improved to the point that they look just about as good as a dye
ink.
The primary advantage that pigments products have, are that they are more
chemically resistant, more lightfast and provide greater longevity. In spite of
their cost, pigment inks arguably deliver better performance in the signage and wide format
graphics markets.
Here is a comparison of dyes and pigments:
Dyes
|
Pigments
|
Soluble (inks are solutions)
|
Insoluble (paints and inks are suspensions or mixtures)
|
Small molecules
|
Large molecules
|
Significantly lower cost than pigments
|
More costly than dye-based inks
|
Poor UV resistance
|
Good UV resistance
|
Excellent color range; vibrant
|
Typically colors are duller as well as
narrower color range
|
Environmentally friendly
|
Some pigments are comprised of heavy
metals, which are toxic
|
Bonds to substrates using electrostatic
charges
|
Requires a resin to bond to a substrate
|
Typically organic compounds
|
Inorganic and organic compounds
|
Limited heat resistance
|
Much higher heat resistance
|
Poor chemical resistance
|
Good chemical resistance
|
Limited durability; use for indoor
applications
|
Good durability for use in both indoor and
outdoor applications
|
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About Jim Hingst: After fourteen years as Business Development Manager at RTape, Jim Hingst retired. He was involved in many facets of the company’s business, including marketing, sales, product development and technical service.
Hingst began his career 42 years ago in the graphic arts field creating and producing advertising and promotional materials for a large test equipment manufacturer. Working for offset printers, large format screen printers, vinyl film manufacturers, and application tape companies, his experience included estimating, production planning, purchasing and production art, as well as sales and marketing. In his capacity as a salesman, Hingst was recognized with numerous sales achievement awards.
Drawing on his experience in production and as graphics installation subcontractor, Hingst provided the industry with practical advice, publishing more than 150 articles for publications, such as Signs Canada, SignCraft, Signs of the Times, Screen Printing, Sign and Digital Graphics and Sign Builder Illustrated. He also posted more than 325 stories on his blog (hingstssignpost.blogspot.com). In 2007 Hingst’s book, Vinyl Sign Techniques, was published. Vinyl Sign Techniques is available at sign supply distributors and at Amazon.
© 2016 Jim Hingst
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