Compared to solvent and
ecosolvent inks, UV curable inks have several advantages. No VOCs to pollute the air; the inks dry fast
but don’t clog in the print head; and good adhesion to a wide range of
substrates, including styrene, expanded PVC, polycarbonate, acrylic, gatorboard
and corrugated polypropylene.
Differences in Adhesion.
Solvent inks and UV inks
adhere to a substrate in different ways. Solvent inks are designed to partially
solvate or dissolve the outer surface of a pressure-sensitive vinyl film in
order to chemically bite into it. Printed on board stock or other porous
materials, solvent inks adhere to the substrate through absorption.
Free radical UV inks work
another way. They don’t solvate the substrate and don’t bond by being
absorbed. Instead, these UV inks anchor
to a material mechanically, in much the same way as a pressure sensitive
adhesive does. After the ink is printed,
it wets out and fills in the microscopic pores on surface of the substrate,
holding on for dear life as the ink cures and becomes a solid sheet.
Another major factor in
adhesion is the surface tension difference between the ink and the substrate. The
ink should always be lower in surface tension than the substrate. Some substrates, Coroplast in particular,
change dramatically in surface tension over relatively short periods of time.
As the surface tension or dyne level of the substrate drops, ink adhesion can
become problematic.
Differences in Curing/Drying.
Most inkjet inks dry by
evaporation, with the exception of UV inkjet inks. To dry, solvent inks
evaporate. Because VOCs pose an air quality problem in the shop, they must be
ventilated. Although solvent inks dry
faster than ecosolvent inks, and both inks dry faster than water-based
inks, all inks take time to dry. To
fully cure, solvent an ecosolvent inks can require at least 24 hours. Often
longer.
The solvents in an inkjet
ink performs several functions. First and foremost the solvent acts as the
carrier for the colorant. A secondary
function is to control the drying time of the ink. The type of solvent used also
determines how well the ink adheres to the substrate. Finally, the solvent alters the viscosity of the ink, thereby
controlling the flow characteristics of the ink on the surface of the print
media. Low viscosity is also required so the ink does not clog the print
heads.
Ecosolvent inks uses a less
aggressive, slower drying solvent. To aid the drying of the ink, ecosolvent
printers generally require more heat in curing.
Preheating the substrate opens the material’s pores up to accept the
less aggressive solvents in the ecosolvent-type inks. The milder ecosolvent inks do not bite into
the vinyl as well as an ink with a more aggressive solvent. The standard solvent inks also tend to better
withstand solvent spillage.
When printing on vinyl,
water-based inks require a top coat to absorb and encapsulate the ink. Solvent inks don’t require a top coating on
pressure sensitive vinyl. Instead the
vinyl absorbs the vinyl ink.
If you intend to print on a
wide range of materials, UV-curable inks
are your best choice. UV inks have a number of advantages over solvent based
inks. Solvent-based inkjet inks take time to dry. The rule of thumb is that you should allow 24
hours after printing, before clear coating or laminating. The long time to cure these inks slows
production down. That can be a problem
when you have an anxious customer who is in a rush.
Instant Cure.
One of the major benefits of
UV inkjet systems is that the inks dry almost instantly, after being exposed to
intense UV light. Exposure to certain
wavelengths of intense UV light initiates a chemical reaction, which cures
or hardens the ink.
You will note that I hedged
my bet by saying that the inks dried “almost” instantly. After exposure to UV
light, prints are dry to the touch and can be handled. Not all prints, however, are totally dry.
When printing with some UV inks, you should wait an hour or two before rolling
up a print, just to play it safe. Some
UV inks can continue to chemically crosslink and cure for as long as three days
after the initial exposure. As this crosslinking
process continues, the inks will become harder and harder.
More flexible inks.
Early generations of UV
curable inks were somewhat brittle and prone to cracking. However, the once
brittle inks have improved significantly. Later generations of UV inks are flexible and durable enough for fleet
graphics applied to vehicle surfaces with compound curves, rivets and corrugations.
Heavier ink deposit.
UV inkjet printers lay down
a heavier deposit of inks than solvent or ecosolvent printers. That should be
no surprise. Solvent-based inks are 80% to 90% solvent. Most of ink that is
printed evaporates. UV curable inks, on the
other hand, are 100% solids. That means that 100% of the ink, that is printed,
is cured and remains on the substrate.
Because the ink deposit is thicker, the durability is arguably better.
The heavier deposit of ink is also more abrasion resistant.
White Ink.
Another unique advantage
of is that many of the new UV-curable
inkjet printers print white as a base color in addition to CMYK. Although that doesn’t sound like a big deal, imagine printing a four-color process image on a metalized
vinyl film, such as RTape’s VinylEfx films, or a dark colored pigmented vinyl
or a clear film. A background color will show through, and the printed image
will be indiscernible. On a clear film, the image will be washed out.
The advantage of printing an
opaque white is that it blocks out the background. Without it, the image is
lost, especially if you are printing on metallized specialty films. By printing
white first, before printing the process colors, the white ink serves as the foundation for the printed
image. On pigmented films, the printed image will visually pop off of the background.
Virtually No VOCs.
UV inks are 100% solids.
What this means is that 100% of the amount of ink that is deposited on a
substrate is cured and turns into a solid.
No solvents flash off to pollute the atmosphere.
No solvents penetrate the
substrate or attack the adhesive system
of vinyl films. (NOTE: Some types of
monomers are aggressive and can compromise the integrity of pressure sensitive
vinyl films.) And there are no harmful volatile organic compounds (VOCs) to
threaten anyone’s health.
Better Opacity.
Because UV curable inks are
100% solids, they can have better opacity that solvent-based inks, dependent,
of course, on the pigment load that of the UV ink. This is a big advantage,
when you print on colored substrates, because the ink has more hiding power,
which helps prevent the background from overpowering the printed image.
RTape's VinylEfx metalized film was printed using a UV inkjet system with a white ink option. |
Printer systems with a white
ink option give you the ability to lay down white first as a block out on a
specific area of the substrate, before you print the image. Or, when you are printing subsurface, you can
print a wrong-reading image on the
second surface of a clear substrate and then back it up with white. While some solvent inkjet printers also have
the white ink option, their inks typically don’t have the same hiding power
(opacity) to knock out a background. The downside to either of these approaches
is that the printer must image the material twice, therefore print speed is cut
in half.
Remember that UV inks adhere
to the substrate by mechanically bonding to the surface of the media, rather
than adhering by absorption into the substrate, such as water-based inks. With
ink systems that adhere to the media through absorption, the appearance of the
print can vary as the amount of ink that is absorbed, varies. Because all of the UV ink stays on the
surface of the media, the color is more opaque and print quality is more consistent from one
print to another.
Low maintenance.
Unless the print nozzles are
exposed to UV light from the curing lamps,
the printheads do not clog as readily as those of solvent or ecosolvent
inkjet printers.
Because UV-curable inks
won’t cure without UV light, the printheads rarely dry out and clog, as they
often do with inkjet systems using solvent-based or water-based inks. This minimizes equipment maintenance. Maintenance
for the UV ink jets includes daily cleaning of the printheads and periodically
changing the UV lamps. The average
lifespan of a lamp is about 1000 hours. Regular maintenance also includes
cleaning the lamps, reflectors, light shield and air filters.
While UV inkjet systems are
low maintenance, that’s not the same as no maintenance. Printers should follow
the manufacturer’s recommended
preventative maintenance programs covering the periodic cleaning and
replacement of lamps, reflectors and filters.
Failure to service the curing units can result in inks failing to cure
properly.
Printing on Reflective Surfaces.
With some UV inkjet systems,
printing on reflective and metalized vinyl films can be problematic. Reflective and mirror finish surfaces can
reflect UV light back to the printheads.
This can cause the ink to dry in the printhead. Once the UV ink is cured in the head, you
cannot clean it with solvents or other cleaner.
It’s time to replace the printhead.
This can be a costly proposition. UV inkjet printheads can be much more
expensive then solvent or water inkjet printheads, with costs ranging from a
little less than $1000 to more than $3000.
Today's UV inkjet systems are designed to allow printing on reflective surfaces such as RTape's VinylEfx metalized gold film used in printing the above poster. |
While it’s true that the UV
inks shouldn’t dry in the print head, the nozzles can get clogged if they are
exposed to UV light. This can happen, in
rare cases, if UV light reflects back to the print head off a mirrored finish,
such as a reflective vinyl or a smooth
metalized film. Today’s printheads are engineered to prevent this
occurrence. Printhead failure rarely
occurs as a result of dried ink. They fail because of wear and tear.
Compatible
With A Wide Range Of Substrates.
Compared to solvent and
ecosolvent printers, UV curable inkjet inks adhere to a wider range of
substrates.
Flatbed systems, which use
UV-curable inks and high heat lamps can
print on a wide range of flexible and rigid substrates, including
pressure-sensitive vinyl, rigid vinyl, expanded PVC, polycarbonate, acrylic, polystyrene, polyester, polyethylene, polypropylene, metal
and glass.
UV curable inks cure almost
immediately. Solvent inks dry though evaporation, which can take time. Because UV inks cure faster, productivity is
better.
High Production Speeds.
The production speeds of
some UV inkjet printers are mind boggling. In a visit to a Point-Of-Purchase
printer, one of their flatbed printers was capable of printing 5382 square feet in an hour. That equates to
more than one hundred 5’ x 10’ sheets in
an hour. Now that’s smokin’.
This rapid cure of the UV
inks after printing, means that the dots have no chance to spread. The end
result is that the integrity of the dot is maintained, which means that the
printed image looks crisper.
Vinyl Application Videos
Squeegee Technique. Nothing is more basic in vinyl application than the squeegee. But some squeegees work better than others. And there are right ways and wrong ways to use this simple tool. This video clip reviews squeegee selection, squeegee care and squeegee technique. Click to Link
Wet Applications. Dry applications are typically recommended for most vinyl applications. For those exceptions to the rule, this instructional video explains the right way to perform a wet application. Click to Link
Application of Window Graphics. Installing vinyl graphics on glass can be challenging, because the adhesive aggressively grabs onto this high energy surface. Repositioning graphics on window is generally difficult, if not impossible. This instructional video explains how to dry apply window graphics right the first time. It also describes the necessary steps required for surface preparation. Click to Link
Transferring Frosted Window Graphics Films. Because frosted window films are highly textured, transferring cut vinyl graphics can be problematic. This video provides direction in selection of the right application tape and how to apply these films quickly, easily and without problems. Click to Link
3-Step Surface Prep. This instructional video describes how to properly clean the surface of a vehicle before applying pressure sensitive vinyl graphics to a trailer or doing a full wrap of a car or van. This three step surface prep involves detergent washing, solvent cleaning and a final wipe down with IPA. Click to Link
Vinyl Application Over Rivets. Applying vinyl graphics on vehicle surfaces with rivets is challenging for most sign makers. Vinyl failures to these surfaces are all too common. This video demonstrates some tips and procedures, used by professional decal installers, which will make these demanding applications easier and more trouble-free. Click to Link
Vinyl Application to Corrugations. Learn how to apply vinyl graphics to corrugations in a relaxed state. Forcing films into the valleys of corrugations puts too much mechanical stress on the film. Sooner or later, the vinyl will lift or tent in valleys. Click to Link
Applying Air Egress Vinyls. Vinyl films with air egress release liners have almost eliminated bubbles and wrinkles from applied graphics. Air egress release liners with their highly textured surface structure are problematic. Not much will stick to these liners other than the vinyl film. At RTape our best premask solution for air egress liners is a special Conform® tape called 4761RLA. Click to Link
About Jim Hingst: After fourteen years as Business Development Manager at RTape, Jim Hingst retired. He was involved in many facets of the company’s business, including marketing, sales, product development and technical service.
Hingst began his career 42 years ago in the graphic arts field creating and producing advertising and promotional materials for a large test equipment manufacturer. Working for offset printers, large format screen printers, vinyl film manufacturers, and application tape companies, his experience included estimating, production planning, purchasing and production art, as well as sales and marketing. In his capacity as a salesman, Hingst was recognized with numerous sales achievement awards.
Drawing on his experience in production and as graphics installation subcontractor, Hingst provided the industry with practical advice, publishing more than 150 articles for publications, such as Signs Canada, SignCraft, Signs of the Times, Screen Printing, Sign and Digital Graphics and Sign Builder Illustrated. He also posted more than 325 stories on his blog (hingstssignpost.blogspot.com). In 2007 Hingst’s book, Vinyl Sign Techniques, was published. Vinyl Sign Techniques is available at sign supply distributors and at Amazon.
© 2016 Jim Hingst
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ReplyDeleteInteresting article. Thanks for sharing information about Ink & Coating Handling In US
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