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Thursday, September 6, 2012

Pressing Heat Transfer Vinyl on Leather

Discover which heat transfer vinyl to use when decorating leather. Avoid problems which could cost loss of time and materials, when making appliques.

By Jim Hingst

Back when Marlon Brando rode into Hollywood stardom in the Wild One (1953), the leather motorcycle jacket, adorned with a biker back patch, symbolized the country’s rugged iconoclastic spirit. Since the era of Brando, the popularity of real leather apparel has not diminished.  Little has also changed in how we embellish leather attire. Leather jackets and vests are still decorated with sewn-on embroidered cloth patches with club names and the complimentary adornment of skulls, eagles and dragons.

As an alternative to the embroidered patch, many shop owners have tried heat pressing appliques with varied results. In our tests at RTape, the problem is not getting a heat transfer vinyl to adhere to the leather. Everything we have tried has bonded exceptionally well. Rather, the challenge is minimizing the effects of heat and pressure on the coloration and surface texture of the leather. Failure to control the process could get ugly. Just imagine the menacing visage of an enraged biker named Scum or Bone, after defacing his prized motorcycle jacket.

In evaluating various heat transfer materials and application processes, we noted that the discoloration of leather is much more apparent with lighter colors.  In the photo below, we have  heat pressed our Tatoo printable polyurethane film at a temperature of 330 degrees F for 17 seconds. The printed graphic was masked with RTape Hot Mask.  Note that the area not protected by the Hot Mask transfer tape has darkened. The rectangular shape of the heat mask was permanently impressed in the surface of the leather.


On a darker brown leather, we achieved much more favorable results, when we applied our FlexCut Sticky LT at a lower temperature. The heat activated adhesive coated on this film is designed for nylon, other coated fabrics and difficult to adhere to surfaces. Because leather is tanned using many different types of natural materials, such as tannins, chemicals or vegetable or animal oils, any one of these treatments could affect adhesion.   Being the most aggressive adhesive, we felt that this product was a safe choice for leather. As the saying goes, better safe than sorry.

Note:  There are many different types of leathers, as well as many different textures, treatments, and chemicals used in its processing. While heat transfer vinyl films, such as our FlexCut Sticky LT, can work great on many leather products, on other leathers nothing works at all. When feasible, it is always best to test and evaluate a film for a particular application. As I regularly remind people, “Test, Don’t Guess”.


The gold FlexCut Sticky Nylon Levi’s applique (shown below) was heat pressed at a  temperature of 240 degrees F for 17 seconds. Make no mistake, we still experienced some darkening of the leather, but to a much lesser degree. Covering the entire leather piece with a Teflon sheet or brown kraft paper may lessen any detrimental effects.



Leather is a very soft and malleable, natural material. If you heat press an applique onto it, you can leave an impression of the carrier or Hot Mask transfer film in the leather itself. To minimize the impression of the polyester carrier in the leather, we trimmed much of the excess film around the perimeter of the graphic.  Even after trimming, you will undoubtedly leave an impression in the leather, but it will likely be less aesthetically objectionable.

A final option is to use a pressure-sensitive polyurethane film. The SEF product line includes its CoolFlex films for plotter cutting and the CoolPrint films for print and cut applications (shown in the photo below).  These products are coated with a highly aggressive adhesive that will stick to just about anything.  Not only does the adhesive exhibit very high initial tack, after application the adhesion continues to grow, doubling in peel value every 24 hours until ultimate adhesion is attained. CoolFlex and CoolPrint were designed for applications for objects that you cannot heat press, such as umbrellas, backpacks and cooler bags.   That way you don’t risk high heat damaging the leather. And you keep your biker customers, like Scum and Bone, smiling.


Heat Transfer Machines


Selling heat transfer appliques to your existing customer base is a great way to increase your shop’s sales at high profit margins without a lot of effort.  The manufacturing process is not very complicated, so there is not much to learn. What you will need is a heat press machine. Here are a few equipment suggestions:


Hotronix Hover 16x20" Heat Press Auto Open  - Heat Transfer Press Machine 



Features of the Hotronix Hover 16” x 20" Heat Press Machine:

● Heavy-duty professional grade machine with proven performance.

● Opens automatically. This prevents scorching of heat transfer films.

● Opens wide providing safe and easy layout and removal of garments.

● Easy to read digital display.

● Clamshell design saves space.

● Easy to use.
● Made in the U.S.A.





Hotronix Fusion Heat Press 16" x 20"

The Hotronix Fusion 16" x 20" Heat Transfer Press provides the following features:

● Large 16" X 20" heat platen accommodates most garments.
● Modern, easy-to-read digital display for time, temperature and pressure.
● Durable, scratch resistant powder coat finish.
● Easy to operate. Require minimal training.
● Heavy-duty construction for reliable performance.
● Energy-saving sleep mode.

● Made in the U.S.A.



Hotronix Air Fusion 16"x20"



 Hotronix Air Fusion 16"x20" Heat Press Swing-Away Table Top features the following:
● Heavy-duty version of the FUSION® Heat Press is designed for high volume work.
● Powered by an air compressor. Pneumatic regulator which auto-adjusts pressure.
● High-tech power with hands-free auto-swing for superior ease of use.
● Touch screen controller.
● 16"x20".


Hotronix MAXX Cap Heat Press 


Hotronix MAXX Cap Heat Press 3.5" x 6" provides the following features:

● Easy-to-read digital time and temperature display.

● Consistent heat and pressure from edge-to-edge.
● Coated non-stick heat platen.
● Lightweight and portable for mobile heat printing.
● Interchangeable platens available.






ARTICLES ABOUT HEAT TRANSFER VINYL

Laminating Application Tape and Hot Mask Films
Stretching Garments Prior to Heat Pressing
The Differences Between Polyurethane and Vinyl Films
Printing Tatoo with Seiko Fluorescent Inks
Reflective Heat Transfer Films
SEF Heat Transfer Films Instructions
Introducing Tatoo Printable Heat Transfer Films
HotMask Polyester Transfer Tapes
Correcting Plotter Cutting Problems When Cutting H...
Which Films Stick to Coated Fabrics? 
The Difference between FlexCut Sticky and FlexCut ...
Heat Transfer Films Product Application Chart
Rules for Overlaying Heat Transfer Films 
Comparing Heat Transfer Films with Screen Printed ...
Peel Recommendations for Heat Transfer Films
Heat Pressing Appliques on Leather 
Plotter Cutting Heat Transfer Films
Cutting & Weeding Tips for Heat Transfer Films
The Trouble with Shrinking Shirts
Caring for Garments with Heat Transfers

For More Information About SEF Americas:


14476-201 Duval Place West
Jacksonville, FL 32218
904-423-0211 - Phone
904-423-0899 - Fax
844-720-9600 - Toll Free























About Jim Hingst: After fourteen years as Business Development Manager at RTape, Jim Hingst retired. He was involved in many facets of the company’s business, including marketing, sales, product development and technical service.

Hingst began his career 42 years ago in the graphic arts field creating and producing advertising and promotional materials for a large test equipment manufacturer.  Working for offset printers, large format screen printers, vinyl film manufacturers, and application tape companies, his experience included estimating, production planning, purchasing and production art, as well as sales and marketing. In his capacity as a salesman, Hingst was recognized with numerous sales achievement awards.

Drawing on his experience in production and as graphics installation subcontractor, Hingst provided the industry with practical advice, publishing more than 150 articles for  publications, such as  Signs Canada, SignCraft,  Signs of the Times, Screen Printing, Sign and Digital Graphics and  Sign Builder Illustrated. He also posted more than 325 stories on his blog (hingstssignpost.blogspot.com). In 2007 Hingst’s book, Vinyl Sign Techniques, was published.


© 2015 Jim Hingst

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